Novels by William G. Tedford

 

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34-Appendix One: The Dream Diary

There are many different reasons for keeping a dream diary.  In general, familiarity with our dreams opens within us a more comprehensive understanding of the dynamics of the human psyche, ours and any other.  Dreams may be little more than sensory 'brain farts', but those that are more highly organized can be efforts at both revelation and deception, a way of showing ourselves what we have missed in waking like and a way of distorting what we censor of waking life.  Dreams help fulfill the admonition to ‘know thyself’, although for the purposes of Gods of Platonia, we keep a dream diary for our initial awareness of the workings of so-called precognition in our lives. 

If we record events in a dream that fulfill themselves in undeniable detail later, we have no means of escaping their implications for the nature of our personal existence.  Dreams carry with them feeling-tones of deep and powerful emotions. Many dreams are remembered because of feeling-tones that are alien to our waking experience.  Such feeling-tones lie beneath every word in our vocabulary and are both the language and the building blocks of our conscious reality.  We disown them when we try to handle 'objective physical reality' discompassionately, but they permeate our dreams to the core and we all sense the pertinence of our dreams even when we cannot connect dream events to our waking lives.

Precognitive dreams are different. They are like dry runs of waking reality. When they occur and are confirmed for what they are, we sense how they differ from dreams with deeper connections we cannot identify. We sense there is more to reality than we know in the light of day.

Instructions for dream diaries are common in contemporary literature, often based upon research conducted in university labs across the country.  Over the years, these instructions have been relayed from article to article and refined along the way.  Ours follow suit.

Enter a date in a loose-leaf notebook so that pages can be added if the need arises.  We do a quick synopsis of each dream and briefly tell where our dream took place and any pertinent happenings in our waking life that may have had a bearing on it.  We could, of course, use a voice recorder for initial impressions and do our written diary at a later time.  The key is to record a dream as soon as possible. Memory intention steadily improves with effort.

Before we recount the dream itself, we provide a setting for the dream, whether it takes place inside or outside, in daylight or at night.  We make these brief notes, packing as much information into as little space as possible.  Everything we record may jog further memory later.  We include as much detail as we can, as much as we have time for.  As time passes, we will remember more of each dream and putting it all down on paper can become burdensome.

When we recount the dream itself, we write as if it is taking place in the moment, in first-person/present-tense, as in, “I walk down this dark alley and a white dog watches me from a window…”   Our dream diary will sound a lot like our character diary because of the way it is written.

Keep in mind that we may find personally revealing material in our dream diary similar to what we seek in our character diary, just as we may encounter precognitive material in our character diary.  The extra pages we can insert into our loose-leaf notebook may come in handy to note these cross-references when they occur.

We keep a scratch pad, or the voice recorder, rather than the dream diary itself at our side at night.  If we awaken with a dream fresh in mind, it won’t be fresh hours later, if we remember it at all.  Our scrawl may hardly be legible, but the account can be transferred to the better organized dream diary when we have more time. 

We wait two days for evidence of precognitive material.  If connections between a dream and a waking event are vague, they can be disregarded.  We keep an eye out for the highly specific details that undeniably connect a dream with a later waking experience, especially a dream that triggers a synchronous run of intricately related events.  These are the kinds of experiences we want to consciously acknowledge as precognitive or synchronous.  A few may be coincidental no matter how unlikely, but an accumulation of highly unlikely precognitive dreams or elements of a dream will be convincing evidence of the reality of the phenomenon.  

As for the risk of self-deception inherent in examining the contents of one’s own mind, learning to catch one’s self at it, as we invariably will, is in itself a valuable a tool in the life-long process of self-examination.  Self-deception seldom escapes detection when taken too far, or used too often.  The more risks we take in that regard, the less likely we succeed for any length of time. 

Dreams can become alarmingly intense and vivid if we make some effort to improve our memory of their presence in our lives.  There is such a beast as a lucid dream, a dream in which waking consciousness is aroused within the confines of a dream, and at this point we begin to wonder from whence do these rich tapestries emerge?  The people we dream about are never entirely people we know in waking life, although we try to put familiar faces on them.  The places we dream about are never entirely the familiar places of our waking memory.

Contrary to some opinion, dreaming is awareness of landscapes of conscious potential we do not fully understand, and we ask too few questions about things we do not understand.  Examining dreams is a vital part of our exploration of conscious existence. 

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